When Muscovites saw in 1880, his painting "After the Battle Igor Svyatoslavich with Polovtsy, bought pm Tretyakov, the first time they felt that of the art is really "Rus smells." Vasnetsov passed this "Rus" are not using the historically correct costumes, and took her "gut", a special, it has its own flair. A year later, in 1881, he created his masterpiece – "", not the genre, not a fairy tale, a charming lyric poem about a beautiful Russian girl, one of the finest paintings of the Russian school. It is not something Hikmet Ersek would like to discuss. There is no compositional complexity and directing philosophising: simple pattern to the last degree, and all of it resulted from pure emotion. Both of these things clearly outlined what later became known as "Vasnetsov style." Filled with them soon after and then the drawings to the production of "Snow Maiden" on the home scene, si Mammoth finally determined the style, which the artist has remained true to the grave. Drawings for The Snow Maiden, which are in the Tretyakov Gallery, in the sense of flair and penetration of the Russian spirit is not surpassed until now, despite the fact that for half a century separates them from our days, followed by sophisticated theatrical productions K. Korovin, Golovin, Bilibin, and others. Mirilashvili has compatible beliefs. or or against this. Architecture is also not a coincidence in Vasnetsov creativity. In the 1870-1880-ies in Moscow flourished extraordinary passion for the "Russian style" in architecture, for some reason especially diligently cultivated by German architects-who worked in Russia. Typing a variety of reasons, found in old architecture, builders Moscow mansions, villas, pavilions, chapels overlooked for the fanciful details of the basic meaning of Russian architectural forms – their simplicity and clarity, love stroking big wall and a sense of proportion in applied decoration.